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PRODID:-//Faculty of Arts and Humanities | University of Macau - ECPv5.15.0.1//NONSGML v1.0//EN
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X-WR-CALNAME:Faculty of Arts and Humanities | University of Macau
X-ORIGINAL-URL:https://fah.um.edu.mo
X-WR-CALDESC:Events for Faculty of Arts and Humanities | University of Macau
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BEGIN:VTIMEZONE
TZID:Asia/Macau
BEGIN:STANDARD
TZOFFSETFROM:+0800
TZOFFSETTO:+0800
TZNAME:CST
DTSTART:20190101T000000
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END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Asia/Macau:20191029T183000
DTEND;TZID=Asia/Macau:20191205T210000
DTSTAMP:20260428T210549
CREATED:20201023T073609Z
LAST-MODIFIED:20201023T073609Z
UID:6090-1572373800-1575579600@fah.um.edu.mo
SUMMARY:A1 Level Portuguese Program for Legal Professionals
DESCRIPTION:A1 level Portuguese Program for Legal Professionals \n\nOrganizational units: Portuguese Institute of the Orient (IPOR) & Chinese Portuguese Bilingual Teaching and Training Centre (CPC)\nPeriod: October 29th to December 5th 2019 (30 hours)\nSchedule: Every Mondays and Wednesdays\, from 6.30pm to 9.00pm at IPOR\nRegistration: IPOR reception counter (10:00-18:30)\nSeats limited to 20\, on a first-come-first-served basis. Please complete the registration and pay the deposit to IPOR. Your seat will only be confirmed after making a full deposit payment to IPOR.\nCosts:  500 MOP deposit and refundable if participants meet 80% of attendance requirement; plus 250 MOP for course materials.\nRegistration Link: https://forms.gle/XASiCkYcvsgqTaCx5 (Deadline: 25/10/2019 12:00)
URL:https://fah.um.edu.mo/event/a1-level-portuguese-program-for-legal-professionals/
LOCATION:Portuguese Institute of the Orient (IPOR)
CATEGORIES:Department of Portuguese
ATTACH;FMTTYPE=image/jpeg:https://fah.um.edu.mo/wp-content/uploads/2020/10/poster-law-course-849x1200-1.jpg
ORGANIZER;CN="Chinese-Portuguese%20Bilingual%20Teaching%20and%20Training%20Centre":MAILTO:BilingualCentre@um.edu.mo
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Macau:20191112T183000
DTEND;TZID=Asia/Macau:20191204T203000
DTSTAMP:20260428T210549
CREATED:20201023T073841Z
LAST-MODIFIED:20201023T073958Z
UID:6095-1573583400-1575491400@fah.um.edu.mo
SUMMARY:FAH-CPC: Portuguese Culture Course
DESCRIPTION:Course Outline:\nThe course consists of a total of 8 sessions of 2 hours each\, and aims to provide an introduction to the essentials of Portuguese as a variety of cultural domains\, material and immaterial. At the end of the course\, the audience is expected to be better prepared to understand the cultural references driving Portuguese presence in Macao and the world. \nTopics:\nClass 1. An identity centered on language. Portuguese and other languages in Portugal. General introduction to Portuguese language history and geography\, past and present.\nClass 2. The growth of a country in feudal times. Lyricism and the feminine: cantigas de amigo\, Rainha Santa Isabel (and D. Dinis)\, Inês de Castro\, Menina e Moça\, “Barbara the slave”. Medieval poetry and contemporary popular music.\nClass 3. The establishment of a nation in history\, literature and art. Batalha\, Fernão Lopes\, Nuno Gonçalves.\nClass 4. Expansion and the East I: literature out of history. Three authors (Gil Vicente\, Luís de Camões and Fernão Mendes Pinto) and three texts (Índia\, Os Lusíadas\, Peregrinação). Sixteenth-century travel and contemporary popular music: Fausto Bordalo Dias.\nClass 5. Expansion and the East II: stories and myths. The shipwreck of Sepúlveda and King Sebastião in history\, contemporary music and film.\nClass 6. The second Portuguese empire: Brazil\, from António Vieira and the Gold Cycle to Independence. The third Portuguese empire: Africa\, from the Rose-Coloured Map to the Colonial Wars.\nClass 7. Contemporary Portugal I. Nationalist symbolism and commemoration. The cockerel from Barcelos and other handicrafts. Popular music before the Carnation Revolution (1974): Lisbon fado\, Coimbra fado/balada and back to lyric.\nClass 8. Contemporary Portugal II. History and art after the Carnation Revolution. Popular traditions today. \nSpeaker:\nProfessor Hélio Alves joined the University of Macau as Associate Professor of Portuguese Literature in January 2019. He is a well-known scholar of Renaissance and Early Modern Portuguese and Comparative Literature\, and also the director of Chinese-Portuguese Bilingual Teaching and Training Centre (CPC). \nSeats are limited to 20 and registrations are on a first-come-first-served basis. Please register by 8 November 2019 12:00PM. \nTo register\, please scan the QR code on the attached poster or visit the following link: https://forms.gle/taFryZsa4fi2UkaH8
URL:https://fah.um.edu.mo/event/fah-cpc-portuguese-culture-course/
LOCATION:Centro de Formação dos Trabalhadores dos Serviços Públicos Alameda Dr. Carlos D’Assumpção Nos. 336-342 Centro Comercial Cheng Feng 6° Andar\, Sala 609-611\, Macao
CATEGORIES:Department of Portuguese
ATTACH;FMTTYPE=image/png:https://fah.um.edu.mo/wp-content/uploads/2020/10/e891a1e89084e78999e69687e58c96e8aab2e7a88b-848x1200-1.png
ORGANIZER;CN="Chinese-Portuguese%20Bilingual%20Teaching%20and%20Training%20Centre":MAILTO:BilingualCentre@um.edu.mo
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Macau:20191114T190000
DTEND;TZID=Asia/Macau:20191212T220000
DTSTAMP:20260428T210549
CREATED:20201023T074501Z
LAST-MODIFIED:20201023T074600Z
UID:6109-1573758000-1576188000@fah.um.edu.mo
SUMMARY:FAH-CPC: Chinese-Portuguese Legal Translation Workshop III
DESCRIPTION:
URL:https://fah.um.edu.mo/event/fah-cpc-chinese-portuguese-legal-translation-workshop-iii/
LOCATION:E21-1043\, Faculty of Arts and Humanities
CATEGORIES:Department of Portuguese
ATTACH;FMTTYPE=image/jpeg:https://fah.um.edu.mo/wp-content/uploads/2020/10/mini-curso-de-traduccca7acc83o-juridica-chinecc82s-portuguecc82s-iii-848x1200-1.jpg
ORGANIZER;CN="Chinese-Portuguese%20Bilingual%20Teaching%20and%20Training%20Centre":MAILTO:BilingualCentre@um.edu.mo
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Macau:20191115T140000
DTEND;TZID=Asia/Macau:20191115T140000
DTSTAMP:20260428T210549
CREATED:20201023T091231Z
LAST-MODIFIED:20201023T091231Z
UID:6298-1573826400-1573826400@fah.um.edu.mo
SUMMARY:FAH-DCLL Academic Seminar: “Quoting of the Shuowen Jiezi in the Explanation of the Shijing by Duan Yuzai’s Shijing Xiaoxue—–A Critical Study” by Prof. Lee Hung Kai 人文學院中國語言文學系學術講座：“段玉裁《詩經小學》 引《說文解字》釋經考”- 李雄溪教授
DESCRIPTION:摘要：段玉裁《詩經小學》為研究《詩經》詞義之著作，當中援引許慎《說文解字》以佐解《經》之處甚多。本文透過分析具體例子，從“細釋詞義”、“說明通假”、“明異體字”、“指出異文”、“引錄籀文”、“明古今字”六方面去說明段氏引《說文解字》釋《詩經》之作用。此外，對比《詩經小學》和《說文解字注》的有關訓釋，可知段氏研治《詩經》和文字學之理路。
URL:https://fah.um.edu.mo/event/fah-dcll-academic-seminar-quoting-of-the-shuowen-jiezi-in-the-explanation-of-the-shijing-by-duan-yuzais-shijing-xiaoxue-a-critical-study-by-prof-lee-hung/
LOCATION:E21-3118
CATEGORIES:Department of Chinese language and Literature
ATTACH;FMTTYPE=image/jpeg:https://fah.um.edu.mo/wp-content/uploads/2020/10/poster_e69d8ee99b84e6baaae69599e68e88-848x1200-1.jpg
ORGANIZER;CN="Department%20of%20Chinese%20Language%20and%20Literature":MAILTO:fah.chinese@um.edu.mo
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Macau:20191115T150000
DTEND;TZID=Asia/Macau:20191115T150000
DTSTAMP:20260428T210549
CREATED:20201028T065457Z
LAST-MODIFIED:20201028T065457Z
UID:6665-1573830000-1573830000@fah.um.edu.mo
SUMMARY:FAH-DHIST Guest Lecture – “Pingpiao 憑票”and “Qiantie 錢帖”: Commercial Papers and Folk Paper Money in Qing China as seen from the Hakka and the Jinshang (晉商) Documents
DESCRIPTION:“Pingpiao 憑票”and “Qiantie 錢帖”: Commercial Papers and Folk Paper Money in Qing China as seen from the Hakka and the Jinshang (晉商) Documents \n  \nCertain Pingpiao (憑票) circulated within some local rural markets in southeastern China during the Qing Dynasty.  Pingpiao\, a kind of exchange medium that functioned as promissory note(本 票) and check (支票) became a substitute of money.  Meanwhile\, amongst local markets in Shanxi\,  Qiantie  (錢帖)\, another kind of monetary note\, emerged and developed its circulation up to regional markets. Pingpiao and Qiantie hence worked to form commercial-capitalism in China. \n  \n憑票與錢帖:清代中國的商業票據與民間紙幣——以客家文書與晉商文書為例 \n  \n在清代東南鄉村的地方小市場中，通行一種具有現代金融工具性質的“憑票＂。具有本票與支票性質的“憑票＂承擔商品交換之媒介功能，成為貨幣的代用品;而在山西地方小市場中，則通行一種具有貨幣性質的＂錢帖＂，其流通範圍擴大至區域市場。憑票與錢帖共同塑造了清代具有中國特色的商業資本社會。
URL:https://fah.um.edu.mo/event/fah-dhist-guest-lecture-pingpiao-%e6%86%91%e7%a5%a8and-qiantie-%e9%8c%a2%e5%b8%96-commercial-papers-and-folk-paper-money-in-qing-china-as-seen-from-the-h/
LOCATION:E21-G002
CATEGORIES:Department of History
ATTACH;FMTTYPE=image/jpeg:https://fah.um.edu.mo/wp-content/uploads/2020/10/poster-30-857x1200-1.jpg
ORGANIZER;CN="Department%20of%20History":MAILTO:fah.history@um.edu.mo
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Macau:20191115T150000
DTEND;TZID=Asia/Macau:20191115T170000
DTSTAMP:20260428T210549
CREATED:20201023T080257Z
LAST-MODIFIED:20201023T080257Z
UID:6139-1573830000-1573837200@fah.um.edu.mo
SUMMARY:FAH-DPORT: Seminar on “The musical theatre in Brazil” by Prof. Larissa Oliveira Neves Catalão\, Universidade Estadual de Campinas
DESCRIPTION:ABSTRACT: \nThe musical theatre in Brazil \nBrazilian theatre is as ambiguous as its own audience history and culture. However during many years\, popular theatre was considered inferior when compared to European art forms. Despite that\, in the end of the 19th century\, popular theatre left the streets and moved to theatre houses. This fact changed the way the plays were produced\, leading to new forms of writing​\, acting and stageset building\, which led to the emergence of modern Brazilian theatre in the 1940’s. Based on the most influential Brazilian play texts\, this lecture intends to present and analyze the history of Brazil’s musical theatre. \n  \nSHORT BIO \nProfessor Larissa Catalão is a Professor of drama\, history and theory of theater at the Department of Performing Arts\, Unicamp Arts Institute (SP)\, since March 2009. She has a postdoctoral degree from Sorbonne Nouvelle University (Paris 3) (2016) and Campinas State University – Unicamp (2008-09); She holds a PhD in Literary Theory and History from the State University of Campinas – Unicamp (2006)\, in the area of Brazilian Literature and a masters degree in Theory and Literary History from the State University of Campinas – Unicamp (2002)\, in the area of Literature and other cultural productions (Theater). She has vast experience in Theater\, focusing on Drama\, History and History of Theater\, Dramatic Literature\, Brazilian Culture and Portuguese Language\, acting on the following subjects: drama\, history of Brazilian theater\, theory of theater\, Brazilian literature and Brazilian culture.
URL:https://fah.um.edu.mo/event/fah-dport-seminar-on-the-musical-theatre-in-brazil-by-prof-larissa-oliveira-neves-catalao-universidade-estadual-de-campinas/
LOCATION:E21-G047
CATEGORIES:Department of Portuguese
ATTACH;FMTTYPE=image/png:https://fah.um.edu.mo/wp-content/uploads/2020/10/cartaz_um-848x1200-1.png
ORGANIZER;CN="Department%20of%20Portuguese":MAILTO:fah.portuguese@um.edu.mo
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Macau:20191115T154500
DTEND;TZID=Asia/Macau:20191115T154500
DTSTAMP:20260428T210549
CREATED:20201023T091605Z
LAST-MODIFIED:20201023T091605Z
UID:6303-1573832700-1573832700@fah.um.edu.mo
SUMMARY:FAH-DCLL Academic Seminar: “Why Chinese doesn’t have a major class of adjectives: A revisit based on new evidence” by Prof. Zhang Min 人文學院中國語言文學系學術講座：“再論漢語沒有獨立形容詞類：從比較證據及內部證據看”- 張敏教授
DESCRIPTION:摘要：在有獨立形容詞類的世界語言裡，形容詞的原型功能是直接作定語（名詞短語裡的修飾語），一般不能直接作謂語（它是動詞的原型功能）（Croft 1991、Hengeveld 1992）。漢語語法學界鑒於動詞、形容詞均可直接作謂語，傳統上將二者合歸「謂詞」；一些學者還認爲漢語的形容詞在句法層面也不能直接作定語。因此「漢語沒有獨立的形容詞類」成爲主流看法。上述看法在近年來受到一些直接的挑戰，如Dixon（2004）、Paul（2005、2015） 等（尤其是後者，論證頗有力度）；此外一些針對確有獨立形容詞類的語言的研究也對上述看法構成間接挑戰，如Larson（1998）、Cinque（2014）等有關日爾曼語、羅曼語裡形容詞性NP/DP修飾語之別的研究。本講以現代漢語內、外兩方面證據說明，新近提出的反證均不足以推翻原有的看法。
URL:https://fah.um.edu.mo/event/fah-dcll-academic-seminar-why-chinese-doesnt-have-a-major-class-of-adjectives-a-revisit-based-on-new-evidence-by-prof-zhang-min-%e4%ba%ba%e6%96%87%e5%ad%b8%e9%99%a2/
LOCATION:E21-3118
CATEGORIES:Department of Chinese language and Literature
ATTACH;FMTTYPE=image/jpeg:https://fah.um.edu.mo/wp-content/uploads/2020/10/poster_e5bcb5e6958fe69599e68e88-848x1200-1.jpg
ORGANIZER;CN="Department%20of%20Chinese%20Language%20and%20Literature":MAILTO:fah.chinese@um.edu.mo
END:VEVENT
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