BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Faculty of Arts and Humanities | University of Macau - ECPv5.15.0.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Faculty of Arts and Humanities | University of Macau
X-ORIGINAL-URL:https://fah.um.edu.mo
X-WR-CALDESC:Events for Faculty of Arts and Humanities | University of Macau
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:UTC
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:UTC
DTSTART:20250101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250919
DTEND;VALUE=DATE:20251130
DTSTAMP:20260502T161147
CREATED:20250822T092619Z
LAST-MODIFIED:20250825T045836Z
UID:1151985-1758240000-1764460799@fah.um.edu.mo
SUMMARY:The 1st Chinese-Portuguese Lyrics Translation Competition
DESCRIPTION:Please visit the Competition’s webpage at https://cpc.fah.um.edu.mo/zh-hant/pybzpgcfyds/ \nThe application form can be download from the following link：https://www.wjx.top/vm/tU3udy4.aspx#
URL:https://fah.um.edu.mo/event/the-1st-chinese-portuguese-lyrics-translation-competition/
CATEGORIES:Chinese-Portuguese Bilingual Teaching and Training Centre
ATTACH;FMTTYPE=image/png:https://fah.um.edu.mo/wp-content/uploads/2025/08/2.png
ORGANIZER;CN="Chinese-Portuguese%20Bilingual%20Teaching%20and%20Training%20Centre":MAILTO:BilingualCentre@um.edu.mo
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250922
DTEND;VALUE=DATE:20251220
DTSTAMP:20260502T161148
CREATED:20250919T023238Z
LAST-MODIFIED:20251031T035457Z
UID:1172786-1758499200-1766188799@fah.um.edu.mo
SUMMARY:Voices\, Glances\, Memories: Commemoration of the Centenary of José Cardoso Pires
DESCRIPTION:José Cardoso Pires (1925–1998) is considered as an indispensable reference in 20th-century Portuguese literary history. His works offer profound analyzes of the intricate interplay between power\, identity\, and memory. Through a distinctive narrative style and acute social observation\, he chronicled Portugal’s social transformations and individual destinies during the latter half of the 20th century. This exhibition will explore Cardoso Pires’ literary heritage and spiritual world through three core dimensions—Voices\, Glances\, and Memories—offering a multi-faceted\, immersive experience. It examines how literature holds the weight of both individual and collective memory\, thereby fostering public engagement with and better understanding of his works. \nExhibition – Voices\, Glances\, Memories: Commemoration of the Centenary of José Cardoso Pires\nDate and Time: 22/09-19/12/2025\nVenue: Sky Garden\, 2/F\, UM Wu Yee Sun Library (E2) \nParticipate in the interactive games and have a chance to win a prize\nDate and Time: 22/09-19/11/2025\nVenue: Sky Garden\, 2/F\, UM Wu Yee Sun Library (E2)
URL:https://fah.um.edu.mo/event/voices-glances-memories-commemoration-of-the-centenary-of-jose-cardoso-pires/
LOCATION:Sky Garden\, 2/F\, UM Wu Yee Sun Library (E2)
CATEGORIES:Chinese-Portuguese Bilingual Teaching and Training Centre
ATTACH;FMTTYPE=image/jpeg:https://fah.um.edu.mo/wp-content/uploads/2025/09/umcpc-poster-251020-scaled.jpg
ORGANIZER;CN="Chinese-Portuguese%20Bilingual%20Teaching%20and%20Training%20Centre":MAILTO:BilingualCentre@um.edu.mo
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250929T100000
DTEND;TZID=UTC:20260122T190000
DTSTAMP:20260502T161148
CREATED:20250919T081201Z
LAST-MODIFIED:20250930T111303Z
UID:1175489-1759140000-1769108400@fah.um.edu.mo
SUMMARY:“A Tree of Knowledge: Creation Based on Greatness” —— The 2025 Staff Art Exhibition of Department of Arts and Design\, Faculty of Arts and Humanities\, University of Macau - 「知識樹：基於偉大的創造」—— 澳門大學人文學院藝術與設計系教師作品展
DESCRIPTION:
URL:https://fah.um.edu.mo/event/a-tree-of-knowledge-creation-based-on-greatness-%e3%80%8c%e7%9f%a5%e8%ad%98%e6%a8%b9%ef%bc%9a%e5%9f%ba%e6%96%bc%e5%81%89%e5%a4%a7%e7%9a%84%e5%89%b5%e9%80%a0%e3%80%8d/
LOCATION:Museum of Art\, University of Macau Wu Yee Sun Library (E2)1F\, Museum of Art\, University of Macau Wu Yee Sun Library (E2)1F
CATEGORIES:Department of Arts and Design
ATTACH;FMTTYPE=image/jpeg:https://fah.um.edu.mo/wp-content/uploads/2025/09/20250930171447-3-12-copy-scaled.jpg
ORGANIZER;CN="Department%20of%20Arts%20and%20Design":MAILTO:fah.dad@um.edu.mo
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251121T110000
DTEND;TZID=UTC:20251121T123000
DTSTAMP:20260502T161148
CREATED:20251107T074957Z
LAST-MODIFIED:20251107T075042Z
UID:1211174-1763722800-1763728200@fah.um.edu.mo
SUMMARY:FAH-DENG: "AI\, the Spectacle\, and Marx: Who is using the tech and for what purposes?"
DESCRIPTION:Abstract: \nMarx urged the proletariat not to rally against new kinds of machines per se\, even if at first glance fears arose that these could further their subjugation and alienation.  Rather\, the point is who is deploying these technologies\, and for what purposes.  Behind the spectacle and moral panic about the new\, there may be something very familiar\, once we look more closely. \nFears of new machines and new technologies have been around for as long as they have emerged\, with worries about the changes and dangers they will bring\, and moral panics about the effects on people and society.  There were early fears about the train\, about physically riding it\, but also about this new kind of mobility in society.  There have been moral panics about all new kinds of media\, such as books and television\, each imagined to lead to delinquency and moral decline.  Fears of the computer in the 1950s were perhaps the start of some of the spectacular fears we have about AI now\, with imaginaries of human-mechanical hybridity and technological autonomy (Grenham\, 2020).  Although these were also rooted in wider fears about the new technologies of science and medicine\, viewed through a trope of a ‘violation of the natural order’ (Carroll\, 2004\, p. 40).  The ‘overreacher plot’ is well-trodden in science fiction and horror\, where the scientist extends the boundaries of the natural and thereby creates a monster (Carroll\, 2004\, p. 118). \nFollowing the advice of Marx\, Critical Discourse Studies scholars have an important role in regard to AI.  We need to look beyond the spectacle\, the wild fantasies and moral panics\, and consider carefully where this new technology is being deployed in a concrete sense\, by whom\, and for what underlying aims.  And as is the job of CDS\, to consider the effects of this on knowledge\, on society and the wellbeing of people.  In this talk I look at one small\, yet concrete\, case of using AI to manage levels of theft in stores in Japan.  I use this to consider some of the kinds of questions we might\, in the humanities\, need to be asking. \n  \nBiography: \nGwen Bouvier (PhD\, University of Wales) is a Distinguished Professor at Shanghai International Studies University\, Institute of Language Science.  Her main research interests are digital communication and civic debate on social media.  Professor Bouvier’s publications have drawn on critical discourse analysis\, multimodality based on social semiotics\, and online ethnography.  She is the Associate Editor for Social Semiotics and Book Review Editor for Discourse & Society\, and the Journal of Multicultural Discourses.  Her latest publications include the book Qualitative Research Using Social Media (Routledge\, 2022) and the articles Cancel Culture and Trigger-Ready Fragmented Interest Groups (TV and New Media\, 2025); Social Media and the New Canon of Use for Social Protests (Discourse\, Context and Media\, 2025); and Evaluating the American-Chinese Trade War on Chinese Social Media: Discourses of nationalism and rectifying a humiliating past (Critical Discourse Studies\, 2025).
URL:https://fah.um.edu.mo/event/fah-deng-ai-the-spectacle-and-marx-who-is-using-the-tech-and-for-what-purposes/
LOCATION:E21A-3118
CATEGORIES:Department of English
ATTACH;FMTTYPE=image/jpeg:https://fah.um.edu.mo/wp-content/uploads/2025/11/poster-1-scaled.jpg
ORGANIZER;CN="Department%20of%20English":MAILTO:fah.english@um.edu.mo
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251121T143000
DTEND;TZID=UTC:20251121T160000
DTSTAMP:20260502T161148
CREATED:20251105T043554Z
LAST-MODIFIED:20251105T073715Z
UID:1209773-1763735400-1763740800@fah.um.edu.mo
SUMMARY:The Left Hand of God: Translation and Theology in the Work of Father Joaquim Guerra SJ
DESCRIPTION:
URL:https://fah.um.edu.mo/event/the-left-hand-of-god-translation-and-theology-in-the-work-of-father-joaquim-guerra-sj/
LOCATION:E34-1002
CATEGORIES:Chinese-Portuguese Bilingual Teaching and Training Centre
ATTACH;FMTTYPE=image/png:https://fah.um.edu.mo/wp-content/uploads/2025/11/traduzindo-a-china-a-mao-esquerda-de-deus-traducao-e-teologia-na-obra-do-padre-joaquim-guerra-sj-1.png
ORGANIZER;CN="Chinese-Portuguese%20Bilingual%20Teaching%20and%20Training%20Centre":MAILTO:BilingualCentre@um.edu.mo
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251121T143000
DTEND;TZID=UTC:20251121T160000
DTSTAMP:20260502T161148
CREATED:20251117T094750Z
LAST-MODIFIED:20251118T080013Z
UID:1214150-1763735400-1763740800@fah.um.edu.mo
SUMMARY:Historical Ethnography: Its Conditions of Possibility
DESCRIPTION:
URL:https://fah.um.edu.mo/event/historical-ethnography-its-conditions-of-possibility/
LOCATION:E21-2001
CATEGORIES:Department of History
ATTACH;FMTTYPE=image/png:https://fah.um.edu.mo/wp-content/uploads/2025/11/poster-pina.png
ORGANIZER;CN="Department%20of%20History":MAILTO:fah.history@um.edu.mo
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251121T160000
DTEND;TZID=UTC:20251121T170000
DTSTAMP:20260502T161148
CREATED:20251117T084131Z
LAST-MODIFIED:20251117T084433Z
UID:1214020-1763740800-1763744400@fah.um.edu.mo
SUMMARY:FAH-DENG: "Workflow Matters: Comparing Human Translators and Multi-Agent LLMs in Literary Translation"
DESCRIPTION:Abstract: \nThe lecture explores how translation workflows affect performance in both human and AI literary translation.  Large language models (LLMs) perform well in general translation but often struggle with literary nuance and coherence. Professional human translations are compared with two multi-agent LLM systems: one modeled on human practice with drafting and revision phases\, and another redesigned for LLM capabilities with specialized agents for planning\, style\, and coherence. Expert evaluations show that both AI systems achieved accuracy comparable to human translators. The LLM-oriented workflow produced more stylistically rich and fluent translations\, occasionally with creative additions\, whereas the human-modeled workflow was concise but less cohesive. The findings suggest that workflows optimized for LLM capabilities can yield exceptional literary translations and\, in certain aspects\, surpass human performance. \n  \nBiography: \nKanglong Liu is Associate Professor in the Department of Language Science and Technology at The Hong Kong Polytechnic University. His research focuses on empirical approaches to translation studies\, translation pedagogy\, corpus-based translation research\, and Hongloumeng translation studies. His work has appeared in leading journals such as Target\, Perspectives\, Lingua\, Language Sciences\, International Journal of Specialised Translation\, System\, International Review of Applied Linguistics in Language Teaching\, and Digital Scholarship in the Humanities. He serves as Associate Editor of Translation Quarterly\, Humanities and Social Sciences Communications (SSCI and AHCI)\, and Heliyon (SCI). He is the author of Corpus-Assisted Translation Teaching: Challenges and Issues (Springer\, 2020) and co-editor of several volumes\, including Translation and Interpreting in the Age of COVID-19 (Springer\, 2023)\, Dream of the Red Chamber: Literary and Translation Perspectives (Routledge\, 2023)\, Corpora in Interpreting Studies: East Asian Perspectives (Routledge\, 2023)\, and Translation Studies in the Age of Artificial Intelligence (Routledge\, 2025).
URL:https://fah.um.edu.mo/event/fah-deng-workflow-matters-comparing-human-translators-and-multi-agent-llms-in-literary-translation/
LOCATION:E21A-G049
CATEGORIES:Department of English
ATTACH;FMTTYPE=image/jpeg:https://fah.um.edu.mo/wp-content/uploads/2025/11/poster-2-scaled.jpg
ORGANIZER;CN="Department%20of%20English":MAILTO:fah.english@um.edu.mo
END:VEVENT
END:VCALENDAR