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Great Shape and Spritual World – 偉大的造型與精神世界
E34-G011...
Winds of Confluence: The Story of Macao in the Historical Archives of the Ming and Qing Dynasties
1/F of Zone C & E2-G012, University of Macau Wu Yee Sun Library (E2)...
Visual Design and Dialogue – 視覺設計與對話
Room G011, Cultural Building, Lecture Hall (E34)...
Design as a Driving Force Han Zhanning’s Poster Design and Urban Cultural Practice – 設計作為動力 韓湛寧的海報設計與城市文化實踐
Room G011, Cultural Building, Lecture Hall (E34)...
Drilling Holes in Chaos The Artistic Practice of Shiro Matsui – 混沌鑿竅 松井紫朗的藝術活動
Room G011, Cultural Building, Lecture Hall (E34)...
Through the Eye of the Storm Innovation and Research in Art and Design Amid Technological Shifts – 風眼 穿透“風眼”探詢藝術與設計領域的創作與研究
Room G011, Cultural Building, Lecture Hall (E34)...
The Ephemeral Mind: Alejandro Guijarro and the Fragility of Knowledge & Primitive, Magical Unity: on art, embodiment, landscape, and acts of looking – 短暫的思維：Alejandro Guijarro與知識碎片 & 原始的、神奇的統一：論藝術、體現、景觀與觀看行為
Room G011, Cultural Building, Lecture Hall (E34)...
The Deification of Objects and Their Symbolic System A New Interpretation of “大駕鹵薄圇書” -「物」的神格化及其象徵性系統《大駕鹵薄圖書》新解
Room G011, Cultural Building, Lecture Hall (E34)...
Zhuangz’s Five Arguments for the Unknowability of the World – 莊子關於世界不可知的五個論證
Room G011, Cultural Building, Lecture Hall (E34)...
