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Double Presence: A New Study of Relationships Between the Leonardo da Vinci’s Knots and the Frescoes of the sala delle Asse of the Sforza Castle in Milan
Double Presence: A New Study of Relationships Between the Leonardo da Vinci’s Knots and the Frescoes of the sala delle Asse of the Sforza Castle in Milan
摘要：達•芬奇筆下一系列稱作“芬奇結”的繩結裝飾，長期以來被當作達•芬奇個人創造性的符號而著稱於世。新近的研究更把它們與達•芬奇家鄉“芬奇鎮”的“柳條編織業”聯繫起來，賦予其本地物質文化特產的出身。本文一方面指出這些歸屬的不當之處，在於其有意無意地忽視了這些繩結裝飾具有的跨文化淵源，即其與近東伊斯蘭黃銅鑲嵌銅器等器物裝飾圖案的借鑒關係。另一方面更進一步地探討這些伊斯蘭圖案與達•芬奇設計的米蘭斯福爾扎城堡木板廳壁畫之間的跨媒介聯繫；揭示壁畫中隱藏於贊助人政治意圖之下的創作者個人語義，以及文藝復興藝術風格之下存在著源自近東與遠東藝術異域風格的“雙重在場”現象。 報名 Registration: https://forms.gle/MmTPLJBVPbF4gmsv8
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Macao Humanities Forum: On Cross-gender Performance
Macao Humanities Forum: On Cross-gender Performance
We are very pleased to announce that the 2nd Lecture of the FAH Macao Humanities Forum (2022/2023) will be held on 16 November 2022. The forum aims to provide a platform for world-renowned scholars from diverse humanities fields to share their research with the FAH community and other UM scholars. All members of the UM community are cordially invited to this splendid event. In this upcoming forum, we are honored to have Professor SUN Mei (of Taiwan Central University) deliver a lecture on the topic “On Cross-gender Performance論說跨性別表演”. Prof. Sun is a leading scholar and researcher on theatre, particular on Chinese opera xiqu (中國戲曲). Having obtained his Ph.D. in Theatre from the University of Hawaii, he taught at National University of Singapore […]
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FAH-DPORT: International Colloquium “Belated, beyond and out of place? Avant-garde movements in non-hegemonic contexts”
The Department of Portuguese if FAH is pleased to invite all those interested to the International Colloquium “Belated, beyond and out of place? Avant-garde movements in non-hegemonic contexts”, being held on November 23 to 25, 2022, via Zoom. Colloquium Info The first decades of the 20th century witnessed the emergence of the historical avant-gardes. Their center of creation and above all diffusion was undisputed: European avant-garde groups spread the good news of aesthetic and political transgressions, ranging from new artistic forms, materials and conceptions to an everyday art of performance, mixing in an ideally undistinguishable manner art and life. The worldwide presence of the European avant-garde movements would not have been possible without a series of new means […]